GONG! #1 – Mirena Ossorno
370 x 270 mm.
Printed in Munken
Lynch 130 gr paper, 2 colour printing.
Cover printed in Splendorlux
premium white 215 gr paper.
6-page 2 colour insert printed
in 130 gr Munken Lynx paper.
First edition: 400 copies.
DL: B 17981-2014
GONG! is a quarterly monograph. Each number is exclusively devoted to a single artist who is given 48 pages, plus cover, to do whatever s/he wants, with the least possible interference from Terranova. On a separate identical in format 1-colour insert we include a thorough interview of the artist with an overview of her/his career and an explanation of the motivations that lead them to do what they did with the issue of the magazine. The magazine’s masthead included on the insert changes with every new issue and is also designed by the artist.
The first issue was published in the summer of 2014 and was devoted to illustrator Mirena Ossorno. Mirena decided to fill all 48 pages with abstract patterns exclusively designed for this publication. It was also her idea to restrict the use of colour to just two shades (yellow and black) and to mix all sorts of different formats together, from collage to Chinese ink brush to Photoshop airbrush or Artstudio features. Some of the designs were even photocopied and printed with risograph. For this issue, Victor Ginesta Rodríguez made the interview and Alba Yruela took Mirena’s portrait.
This is the brief biographical introduction that Victor gives us on Mirena:
Mirena Ossorno (Denia, 1987) is a graphic artist living in Barcelona who after finishing illustration studies at La Massana art school immersed herself into the world of self-edition. She’s responsible for the fanzine “Sueño Samoano”, with four published issues so far, and also for the renowned feminist fanzine “Bulbasaur”, co-edited with Andrea Alvarado Vives and Blanca Miró, on which they combine a focus on fresh aesthetics with poignant essays, reviews and dissemination: a political oasis of lipsticks with razorblades.
As artist and illustrator, the work of Ossorno is eminently pop, based on re-appropriation and conceptual playfulness. Inspired by 80s aesthetics as much as by 70s art direction, her style has evolved from the dirty lines of her first creations to an much more subtle line used on her current work which comprises gags, patterns, interiors and posters inspired by her own day-to-day experiences.